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Katharine Parker served as the Senior Director of Aesthetic Continuity for a luxury cruise line whose clientele considered themselves far too interesting to take cruises. Her responsibilities included approving sunset viewing locations, selecting lobby piano repertoires, and once intervening in a dispute regarding the proper angle of a champagne tower.
In 1994, Katharine became briefly obsessed with competitive ballroom dancing despite never actually dancing. Instead, she spent three years studying the biographies of ballroom champions and writing detailed letters suggesting improvements to their personal branding.
She maintained a standing reservation at a restaurant that had closed eleven years earlier. The reservation remained active. No one involved seemed interested in correcting the situation.
Katharine possessed an uncanny ability to identify the emotional state of a room within seconds of entering it. She rarely commented on her observations, though she occasionally adjusted a lampshade or repositioned a floral arrangement before quietly leaving.
Several biographies have described Katharine as glamorous.
Katharine found this slightly insulting.
She preferred "unreasonably well-organized."
